CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Philadelphia
Elsewhere

QUOTES

On TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us

A CurtainUp New Jersey Review
Trelawny of the Wells
Share

"Yes, deep down in the well of that girl's nature there has been lying a little, bright, clear pool of genuine refinement, girlish simplicity. And now the bucket has been lowered by love; experience has turned the handle ; and up comes the crystal to the top, pure and sparkling. Why, her broken engagement to poor young Gower has really been the making of her! It has transformed her!" — Tom



Trelawny of the Wells
Nisi Sturgis as Rose Trelawny
(Photo:© Gerry Goodstein)
What a treat it is to encounter for the very first time a vintage play that has eluded me— for a very good reason. Sir Arthur Wing Pinero’s 1898 Trelawny of the Wells, is rarely revived but (now that I have seen it) I can attest that it is as sweet a relic about theater and theater people (notwithstanding the more acidic contemporary aspects of 1950s film All About Eve) as you are likely to encounter. I also can’t think of a better way for you to be introduced to this play’s charms than through Bonnie J. Monte’s comically bubbly final production of the Shakespeare Theatre of New Jersey 50th anniversary season.

While Monte is not only earning her credit for stylishly directing a play that has (according to her program note) been on her wish list to direct for thirty years, but also for serving as co-scenic designer (with Anita Tripathi Easterling) and for the sound design, all of which is proof that she needn’t be concerned that her ambitious efforts have been spread too thin. Costume designer Hugh Hanson didn’t need an assist in creating an eye-filling array of late Victorian attire.

Last produced (also according to program notes) at Lincoln Center in 1975 with a stellar cast that included Meryl Streep, John Lithgow, Mandy Patinkin and Marybeth Hurt, Trelawny of the Wells is, as is evident in this production, in no way dependant for its success upon a sizable cast of theatrical luminaries. What is in evidence is a first-rate cast, each of whom goes to the most delightful ends to bring a sparkling resonance to their characters as well as to the play’s cleverly concealed substance and its more conspicuously conscripted superficiality. Both aspects have been wonderfully achieved by this company, many of whom audiences will recognize as part of a core of returning STNJ artists.

Pinero, whose career as an actor and as a prolific playwright (The Second Mrs. Tanqueray and Dandy Dick, among his most famous of fifty-nine plays) is not likely to rekindle memories of them besides Trelawny of the Wells, but we’ll be more than satisfied if this one is kept in the repertoire for the future. Although this play set in the 1860s, an era when stage actors had little use for or interest in subtlety or nuance and relied on their abilities and instincts for their stage performances to be seen as being larger in life in every gesture and posture, it also looks back affectionately to this time and through the romantic and professional journey of a lovely young ingénue Rose Trelawny (Nisi Sturgis).

As ordained by family tradition, Rose’s career in the theater appears bright as a rising star within the Bagnigge-Wells Theatre Company, at the same time that a fellow member of the company with playwriting aspirations Tom Wrench (John Patrick Hayden) is about to make a major breakthrough with a new and more realistic style of dramatic literature. But Rose’s career, however, is short-circuited when she decides to marry her handsome and wealthy sweetheart Arthur Gower (Jordan Coughtry) despite the displeasure of his stuffy ultra conservative family. Having agreed to move into the stately residence of Arthur’s grandfather Sir William Gower (Edmond Genest) and his great aunt Miss Trafalgar Gower (Jennifer Harmon) until the wedding, Rose, nevertheless, finds it impossible to either conform to their rigid rules of behavior or gracefully respect their cool attitude toward her.

With support from her friends in the theater, Rose realizes her mistake, abandons her sweetheart and returns to the theater. Rose’s sojourn with the Gower’s has, however, affected her personality so that she is no longer able to play her roles with the required excess of melodrama. And what of Arthur who has run off in despair to be an actor at the Bristol Old Vic? And what does fate have in store for Rose and Arthur when Sir William remembers going to the theater in his youth and how much he admired the acting of Edmund Keen. One of the most joyous moments in the play comes as Sir William (a beautifully calibrated performance by Genest) not only remembers Keen as Richard III, but also personifies the great Shakespearean actor in speech and movement to Rose’s delight and amazement.

It is to our delight and amazement how delectably and deliberately each member of this rather large company (some doubling their roles) defines their larger-than-life characters. I guess it’s not a secret that the play’s sweethearts – Sturgis and Coughtry – are a couple in real life, a fact that brings a special spark to their clinches. Coughtry is excellent and cuts a fine figure, but there is a radiance that surrounds Sturgis throughout the play from Rose’s days as a willful and intractable actress to her emergence as a wiser and more mature artist. Hayden is amusing as Wrench the glib, progressive playwright who is destined to find more than a backer for his play thanks to the entrepreneurial wiles of a determined and an extremely beguiling actress Imogen Parrot (a vivacious performance by Caralyn Kozlowski).

The first of the play’s four acts (divided by one intermission) takes place in the lodgings for theater folk run by aging stars Mr. & Mrs. Telfers (played respectively and with resourceful flair by John Fitzgibbon and Elizabeth Shepard). The occasion is a dinner party to announce Rose’s engagement to Arthur and her retirement from the theater. The fun begins immediately with the entrance of a klutzy green-grocer Mr. Ablett (Matt Sullivan) who has been hired to “play” the role of a butler, a role inclined to upstage even the resident “gypsies,” such disarming scenery-chewers as leading man Ferdinand Gadd (Jon Barker) and his future squeeze but forever squealing Avonia Bunn (Rachel Fox). The play achieves true poignancy, however, when the Telfers become resigned toward the end of the play to accepting less important roles than were once offered to them. Set changes for the subsequent acts are mostly confined to moving props and decor, a feat performed by the actors that becomes an engrossing drama in itself.

To be sure, a series of contrivances lead us to a climactic moment when the lovers are reunited, the playwright finds a producer with money, and the theater enters a new era. Presenting classic theater for fifty consecutive years is something to be proud of as is Monte’s blissful production of Trelawny of the Wells, an entertainment for the holiday season that will be remembered as a highlight of her twenty-two years as the STNJ’s artistic director.

Trelawny of the Wells
By Sir Arthur Wing Pinero
Directed by Bonnie J. Monte

Cast: Jennifer Harmon (Mrs. Mossop; Miss Trafalagar Gower), Matt Sullivan (Mr. Ablett; Captain De Foenix; Mr. Denzil), John Patrick Hayden (Tom Wrench), Caralyn Kozlowski (Imogen Parrot), John Fitzgibbon (James Telfer; Charles), John Barker (Ferdinand Gadd; Hallkeeper), Connor Carew (Augustus Colpoys; O’Dwyer), Elizabeth Shepherd (Mrs. Telfer), Rachel Fox (Avonia Bunn), Nisi Sturgis (Rose Trelawny), Jordan Coughtry (Arthur Gower), Erica Knight (Sarah; Clara De Ffoenix; Miss Brewster), Edmond Genest (Sir William Gower).
Scenic Design: Bonnie J. Monte & Anita Tripathi Easterling
Costume Design: Hugh Hanson
Lighting Design: Tony Galaska
Sound Design: Bonnie J. Monte
Running Time: 2 hours 20 minutes including intermission
Shakespeare Theater of New Jersey, 36 Madison Avenue, Madison, N.J.
(973) 408 – 5600
Tickets ($32.00 - $70.00) Student Rush tickets $10.00
Performances: Tuesday, Wednesday and Sunday at 7:30 PM; Thursday, Friday and Saturday at 8 PM; and Saturday and Sunday at 2 PM. A special family matinee will be held on Thursday, December 27the at 2 PM.
From 12/05/12 Opened 12/08/12 Ends 12/30/12
Review by Simon Saltzman based on performance 12/08/12
Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.


Visit Curtainup's Blog Annex
For a feed to reviews and features as they are posted add http://curtainupnewlinks.blogspot.com to your reader
Curtainup at Facebook . . . Curtainup at Twitter


REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Trelawny of the Wells
  • I disagree with the review of Trelawny of the Wells
  • The review made me eager to see Trelawny of the Wells
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

>Feel free to add detailed comments in the body of the email and state if you'd like your comments published in our letters section. . .also the names and emails of any friends to whom you'd like us to forward a copy of this review.

You can also contact us at Curtainup at Facebook or Curtainup at Twitter and Curtainup's Blog Annex
Google
 
Web    
www.curtainup.com
Book Of Mormon MP4 Book of Mormon -CD
Our review of the show

Slings & Arrows  cover of  new Blu-Ray cover
Slings & Arrows-the complete set

You don't have to be a Shakespeare aficionado to love all 21 episodes of this hilarious and moving Canadian TV series about a fictional Shakespeare Company

amazon



©Copyright 2012, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com