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A CurtainUp DC Review
Hedda Gabler
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In 1891 — the dark ages in terms of psychology, the women's movement and the notion of self fulfillment — Hedda had very few options. Although every man in town was after her, she chose Jorge Tesman (Avery Clark), a boring academic who is clueless about real life and real women, because he was "available." In 2016, Hedda could remain single, have a child or not have a child as she wished, marry, divorce and make her own life rather than being just Jorge's wife. No criticism, not even scandal, what Hedda fears most, would follow. Julia Coffey as Hedda most ably runs the gamut of her complex character's emotions. She's the general's daughter who is used to getting what she wants. Her moods are mercurial. She's sexy, sultry, scheming, manipulative and not to be trusted. (Disclosure: because Julia Coffey is from Washington, where I live, I have had the pleasure of seeing this versatile, gifted and now seasoned actor since she was in high school.. She aces Hedda brilliantly. Shane Kenyon's Lovborg, the scruffy writer Hedda once loved, is empathy inducing. It's easy to sense what Hedda saw in him and what he saw in her. Doomed lovers on stage can be trite but not these two. Their scenes together are riveting. As for the supporting cast, Kimberly Schraf's Julie Tesman, sister of Hedda's husband, has charm and the ability to induce sympathy. Hedda is a triumph for Studio and, particularly, Julia Coffey.
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