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A CurtainUp Review
Fabrik


My name is Moritz Moses Rabinowitz. I am a Jew. And I am Norwegian. .—- Moritz Rabinowitz
Fabrik
The Rabinowitz Family: Johanna (wife), Edith (daughter) and Moritz. (Photo: Nordland Visual Theatre)
Everyone knows about the millions of Eastern European Jews killed by the Nazis during World War II. Fewer people are aware of the fate of the 1,800 to 2,100 Jews who lived in Norway before the war. But by the end of the WWII, 770 were sent to German extermination and concentration camps. Only about 30 survived. The remaining Jews were spared mostly through the heroic assistance of Norwegian neighbors and Resistance fighters who helped them escape to Sweden, Great Britain, the United States and Canada. Moritz Rabinowitz could have been one of those rescued Jews. He chose to take his stand in Norway. His denunciations of the Nazis were ignored by everyone until the invasion of 1940, when he was arrested as "the leader of the Jewish resistance in Norway." Fabrik: The Legend of M. Rabinowitz eloquently tells his story.

Wakka Wakka Production's Fabrik uses hand-and-rod puppets (created by Kirjan Waage), masks, mini-sets and props, music composed by the ensemble, and a score by Lars Peter Hagen to tell the story of Rabinowitz, a successful Polish immigrant who "built a factory from a button" only to see his life destroyed during the Holocaust.

With Danny Goldstein (Walmartopia) as directing consultant, three puppeteers — David Arkema, Kirjan Waage and Gwendolyn Warnock— manipulate and give voice to the puppets. Dressed in black suits and black fedoras, they portray over two dozen characters including Rabinowitz; his wife, Johanna; their daughter, Edith; his employee, Mr. Askeland; Hitler; and Winston Churchill.

In the hands of this capable trio, these puppets become intensely human and their fate unbearably painful. Rabinowitz is a likeable and self-assured businessman who is guided through life by a long list of ethical rules that sometimes seem almost Talmudic. He is a loving, if not completely faithful husband and a devoted father. He is also a kind-hearted boss and a principled businessman, proud of the quality of the suits produced by his factory. At times his inflated idea of who he is can be a bit ridiculous, especially considering his diminutive size as a puppet. But like Sesame Street's Bert and Ernie, in Yiddish he would be called a mensch.

Inspired by Nordic and Yiddish folktales and informed by research of the time period, as well as the writings of Rabinowitz, his family, workers and countrymen, Fabrik blends European cabaret with traditional puppetry and reportage. Puppets fly through the air, dance, drive in cars, ride in boats, live, love and die.

Side by side with realism, there is a surreal quality to the play. Sometimes the puppeteers wear masks. Occasionally the puppets themselves wear masks. Thus fantasy is layered on fantasy. Dramatic sound and lighting created by the ensemble emphasize the demonic rise of Hitler and the spiritual nature of Rabinowitz's struggle.

The ever-present element of fantasy heightens its sorrowful reality. Fabrik takes the audience out of flesh-and-blood existence to a world beyond time and place . . . a world of powerful emotion and memory. . . a world where tragedy and comedy collide. . . a world that unmistakably and unrelentingly resembles life.

FABRIK: THE LEGEND OF M. RABINOWITZ
By Wakka Wakka Productions
Directing Consultant: Danny Goldstein
Puppeteers: David Arkema, Kirjan Waage, Gwendolyn Warnock
Original Score: Lars Peter Hagen
Running Time: 55 minutes, no intermission
Urban Stages Theatre
259 West 30th Street between 7th and 8th avenues
From 1/17/08; opening 1/23/08, closing 1/17/08
Tuesday — Sunday at 8pm
Tickets: (212) 352-3101
Reviewed by Paulanne Simmons Jan. 25, 2008


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