CurtainUp
CurtainUp
The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
A CurtainUp Review
The Klezmer Nutcracker


When you spin it can spring miracles.— Tante Miriam
Klezmer Nutcracker
Scene from the Klezmer Nutcracker
(Photo: Sun Productions)
Making Chanukah exciting and relevant in a mostly Christian country has been a challenge faced by Jewish parents ever since Hyam Salomon helped finance the American Revolution. One of the principal problems has been how to elevate a relatively minor holiday, based on a small military victory that was soon reversed, into a feast that could go head-to-head with a festival celebrating nothing less than the birth of baby Jesus (leaving aside the fact that baby Jesus was most certainly not born the 25th of December).

Vital Theatre Company has taken Jews one step further on their quest with The Klezmer Nutcracker, based on Ellen Kushner's The Golden Dreydl. A racially diverse cast tells the story of young Sara, who falls asleep after a family Chanukah celebration and goes on a fantastic journey. The accompanying music by Peter Illyich Tchaikovsky is arranged by Michael McLaughlin and David Harris, performed by The Shirim Klezmer Orchestra. Direction is by Linda Ames Key and choreography by Dax Valdes.

Sarah (Danielle Strauss) and her family are having a somewhat fractious Chanukah when Tante Miriam (Ellen Kushner) arrives with a giant golden dreydl. After Tante Miriam gives a magical interpretation of the message spelled out by the letters on each side of the four-sided spinning top (a great miracle was there) and how the game is played (too complicated to explain), the children fight over the great prize until the new T.V. is broken and all are sent to bed in disgrace.

It turns out the dreydl is really an enchanted princess, the daughter of King Solomon (Jonathan Bauchman) and the Queen of Sheba (Toni Ann DeNoble). She promises to take Sara on a great adventure, but is quickly captured by a group of wondering Demons led by a charismatic Demon King (Christopher Michael Lacey).

Things look bad until the Fool (Dan J. Gordon) arrives and helps Sara defeat the Demons and free the princess. Their adventures on the way include a whimsical encounter with a peacock (comprising the coordinated movement of several actors holding feathers) and the solving of various riddles (with the help of the audience).

If the story is reminiscent of the great Nutcracker ballet, the dance, while appropriate for young audiences, certainly presents no threat to the New York City Ballet. But the music, with its clever and smooth blending of Tchaikovsky and Klezmer, is truly brilliant. It makes one aware that Tchaikovsky was, after all, Russian and most certainly influenced by the folk music of his country, while Klezmer has Eastern European as well as ancient roots.

Gordon is particularly appealing as the Fool and Strauss is a convincing heroine. Casting the author as Tante Miriam was a stroke of genius as she gives the entire play a spiritual and essentially Jewish quality that sets it apart from the fluff of the original Nutcracker.

In the end, Chanukah cannot compete with Christmas, nor should it. Still, Chanukah has become (for better or worse) an important holiday on the Jewish calendar, one that reinforces both unity and identity. The Klezmer Nutcracker has to spin on its own two feet.

The Klezmer Nutcracker
Book by Ellen Kushner
Music by The Shirim Klezmer Orchestra
Directed by Linda Ames Key
Choreographed by Dax Valdes
Cast: Danielle Strauss (Sara), Julie McKay (Mom/Autotith), Dan J. Gordon (Seth/The Fool), Jonathan Bauchman ( Uncle Jacob/King Solomon), Toni Ann DeNoble (Aunt Leah/Queen of Sheba), Lindsey Levine (Cousin Rachel/The Peacock), Alan Houser (Cousin Jason/Ornias) Melana L. Lloyd (Dreydl Princess), Christopher Michael Lacey (Ashmedai/The Demon King), Ellen Kushner (Tante Miriam), Bethany White (Miriam Cover/Ensemble)
Costume Designer: Hunter Kaczorowski
Lighting Designer Christina Watanabe
Scenic Designer: Adam Koch
Running Time: One hour, no intermission
Vital Theater Company 2162 Broadway, 4th Floor, at 76th Streetwww.vitaltheatre.org
From 12/06/08; closing 1/03/09
Saturday and Sunday at 11am and 1pm. (with additional performances)
Tickets $20
Reviewed by Paulanne Simmons Dec. 14, 2008
REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of The Klezmer Nutcracker
  • I disagree with the review of The Klezmer Nutcracker
  • The review made me eager to see The Klezmer Nutcracker
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email.

South Pacific  Revival
South Pacific


In the Heights
In the Heights


Playbillyearbook
Playbill 2007-08 Yearbook


Leonard Maltin's Classic Movie Guide
Leonard Maltin's 2008 Movie Guide


broadwaynewyork.com


amazon




©Copyright 2008, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com