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A CurtainUp Review
Sweet Mama Stringbean


I turned by back on Jesus and
I never found my way back to
him again.
.— Ethel Waters
Sweet Mama Stringbean
Sandra Reaves-Phillips, below, and Marishka Shanice Phillips
From the moment the company walks down the stairs at the sides of the house and onto the stage, belting out the overture to Sweet Mama Stringbean, it's obvious everyone in the theater is going to have one hell of a good time. Beth Turner's tribute to the legendary singer/actress Ethel Waters examines the star's life by having the aging, overweight Waters (the inspiring Sandra Reaves-Phillips) confront her lithe younger self (Phillips real-life daughter, Marishka Shanice Phillips) as we follow Waters' rise from poverty in a section of Philadelphia known as "Whore's Alley" to New York City's nightclubs and Hollywood's film studios.

review continues below


The elder Waters sits in her armchair, eyes closed, as the younger Waters and the ensemble — Cjay Hardy Philip, Gary E. Vincent and Darryl Jovan Williams, who play the various people in Waters' life — sing many of her best known songs: "Am I Blue," "Shake That Thing," "Saint Louis Blues." Occasionally the elder Walters enters the action to protest, explain or, at the best moments, join in song.

Looking back at her life, Waters tries to figure out what happened to the God-fearing girl who once sought to be saved by Jesus. After a while it becomes apparent that she can only find he way home by resolving the problems in her relationship with her mother, the woman who raised her but did not seem capable of loving her.

Turner and director Elizabeth Van Dyke do not let the story slip into maudlin sentimentality, something which could all too easily happen in less capable hands. Waters is seen with all her virtues and her vices. By the time she reached middle age she was known as "one of the meanest people in the business." Forty-seven and "holding on to weight like it had no place to go," Waters was thrown into a jealous rage by Lena Horn's "bright skin and Nordic features" during the filming of Cabin in the Sky. She was equally resentful of the dynamic Josephine Baker. Both instances are documented with compassion and humor in Sweet Mama Stringbean.

At times, Van Dyke uses video clips and recorded music to give the show something of a documentary quality, but never at the expense of sheer entertainment. Some of the best numbers are sung to Williams' rock-the-house piano music. Williams is also particularly fine when playing one of the female singers in the Hills Sisters act. Vincent is a superb dancer whose body seems to be supported by something much more flexible than bones. And Philip is especially moving as Waters ill and grieving mother. But the show really belongs to the incomparable Sandra Reaves-Phillips whose rich, powerful voice overwhelms in songs like "Stormy Weather" and the glorious "His Eye Is on the Sparrow."

Sweet Mama Stringbean is a marvelous lesson on what can be done on stage without a big budget but with lots of fresh talent combined with the awesome ability of veterans. It is a rare treat, every bit as stirring as Ethel Waters' life.

SWEET MAMA STRINGBEAN
By Beth Turner
Directed by Elizabeth Van Dyke
Cast: Cjay Hardy Philip (Ensemble), Marishka Shanice Phillips (Younger Ethel Waters) Sandra Reaves-Phillips (Older Ethel Waters), Gary E. Vincent (Ensemble), Darryl Jovan Williams (Piano Player, Ensemble)
Choreographer: Mickey Davidson
Musical Director: Gregg Payne
Set Design: Ademola Olugebefola
Costume Design: Carolyn Adams
Lighting Design: Shirley Prendergast
Sound Design: Sean O'Halloran
Running Time: 90 minutes, no intermission
Henry Street Settlement Abrons Art Center, 466 Grand Street between Pitt and Willet streets
From 4/3/08; opening 4/9/08, closing 4/27/08
Wednesday — Friday at 7:30pm, Saturday at 3pm and 8pm
Tickets: $20 (212) 279-4200
Reviewed by Paulanne Simmons April 5, 2008


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