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A CurtainUp Review
The Triple Happiness


Honey, I'm always in some sort of trouble. Tessa
Ally Sheedy
Ally Sheedy (Photo: Joan Marcus)
After her recent success with Sam and Lucy at the Summer Play Festival, Brooke Berman has proven herself a playwright to watch. Her latest, The Triple Happiness at the McGinn/Cazale Theater, doesn't disappoint. It's a slyly funny, thought-provoking piece and it features a great director and an even better cast.

The plot revolves around a typical suburban Westchester family. Tessa, a washed-up movie star and their unexpected houseguest, crashes their holiday plans. They take her in out of politeness, just as their son Mike returns from his first semester at Vassar.

Tessa's calculating flirtatiousness is born of a long career of clawing her way to the top by trading on her looks. Her latest flirtation dangerously involves both Mike and the father. Then Hope who sits next to Mike in Fiction 1 shows up. Like Mike with whom she's desperately in love she wants to be a writers. Berman's careful structure pays off when these two love triangles collide.

The true genius of this play is in the characters. Though Berman doesn't let us know much about them, she tells us just enough. We know Tessa is the sort of person who wears too much eye makeup and drinks martinis for breakfast. We know Hope is the sort of person who talks earnestly about metaphysical shifts and political manifestos while wearing a "Princess Power" t-shirt (she's also the sort of person who takes a class in the Split Culture of the 1980s--studies Soft Cell, Human League, Flock of Seagulls, and the ""neo-romantic impulse in a Cold War context"--though she is barely old enough to remember the 80s). As for Mike, we know that he is the sort of person who talks to strangers on the bus and writes down their life stories. These small clues push the story forward in unpredictable ways.

Surprisingly, it's Hope who is the true catalyst of the play. In a way, she is its narrator. She watches over the action, not fully moving into the story until the second act. Her monologues propel the others into their own monologues, thus revealing the inner desires of each character.

The acting keeps pace with the action. Ally Sheedy is a hysterically funny Tessa (no offense to Ms. Sheedy, but she plays washed-up movie stars very well). Betsy Aidem, the mother, seems to be reprising her role as the nervous mother from Adam Rapp's Stone Cold Dead Serious, but she's perfect at that. Mark Blum (Crocodile Dundee) is the befuddled if affable father. Keith Nobbs and Marin Ireland as Mike and Hope are true gems. Both play their overly idealistic characters in in a just right hyper way. Anyone who can remember the growing pains of late adolescence will recognize themselves in Mike and Hope.

While the overall pace is a little too slow and the cast as a whole a bit too fervent (it's as if they're trying to fill the large stage; perhaps the play would work better in a smaller space), Michael John Garces' geometric direction showcases their talents admirably.

The Triple Happiness is a home run for Second Stage. Be sure to see it before it closes.

THE TRIPLE HAPPINESS
Written by Brooke Berman
Directed by Michael John Garces
With Betsy Aidem, Mark Blum, Marin Ireland, Keith Nobbs, Jesse J. Perez, and Ally Sheedy
Set Design by Andromache Chalfant
Costume Design by Miranda Hoffman
Lighting Design by Ben Stanton
Sound Design by Sunil Rajan
Running time: Two hours with one fifteen-minute intermission
Second Stage, McGinn/Cazale Theater, 2162 Broadway at 76th Street; 212-246-4422
August 2nd through August 21st; Monday through Friday at 8 pm, Saturday at 2 pm and 8 pm. All tickets $25

Reviewed by Jenny Sandman based on based on August 14th performance

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