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A CurtainUp DC Review
Girlstar


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"One eye open half awake and half in dream," — Danie.lla
Desi Oakley and Donna Migliaccio (Photo by Christopher Mueller)
What goes on behind the scenes in creating a pop star isn't pretty. Any number of showbiz musicals based on the theme "I'm gonna make you a star" have demonstrated the fierce competition and shenanigans that managers/agents/producers/husbands have perpetrated to get their singer, their property to the top. That's certainly true in Girlstar, a musical with book and lyrics by Anton Dudley with music by Brian Feinstein, that is premiering at Signature.

The back story, such as it is, involves three sibling rivals— a niece who wants to be a singer, a serpent, and a mysterious bowl filled with a chartreuse liquid that has some magical powers when applied to hands, sort of like a creamy moisturizer. Never mind that none of this makes much sense. What is good about Girlstar are the three leads and, particularly, Frank Labovitz's elegant costumes. (Message to Mr. L., please go retail.)

As Daniella Espere, Donna Migliaccio, one of the originators and the longtime leading lady of Signature, plays the nasty sister whose ambition knows no bounds. She tries to make stars of the singers under her guidance and gets rid of everyone she does not like. Migliaccio has never looked, sung and acted better. She's dynamite, a clone of the bitch in Sunset Boulevard, delivering song after song with dramatic flair and very clear diction.

As Daniella's niece Tina, Desi Oakley is transformed from a mousey, lacking in confidence singer wannabe into a pop belter who can beat the competition by an octave or two anytime. Bobby Smith gives a fine, ultimately endearing performance as Tina's uncle, a drunk who, when he sobers up, is full of remorse just before he ends up like all Danielle's enemies.

There are a few songs that might find their way into a cabaret evening: "Music Everywhere," as sung by Tina; "What's the Word," sung by Jeff (Sam Edgerly) the shy bellhop who goes to bed with a dictionary: and "More Clever Than You," sung by Daniella. Jeff and Tina's show-closing duet "New" has a sweet charm. Signature's seven-piece orchestra, conducted by Adam Wachter, is loud but good.

While all the physical aspects that go into a show — set (by Paul Tate Depoo III); lighting (by Jason Lyons); wigs (by Anne Nesmith) and the aforementioned wonderful costumer, Frank Labovitz — work well, what is missing is a script that isn't a mashup of all the backstage backstabbing dramas that have gone before. Music and lyrics that are less trite would also help.

Why Eric Schaeffer, whose directorial taste and skills have deservedly gone global, would waste his time producing and directing this musical is puzzling.

Girlstar
Book and lyrics by Anton Dudley
Music by Brian Feinstein
Scenic Design by Paul Tate Depoo III
Costume Design by Frank Labovitz
Lighting Design by Jason Lyons
Wig Design by Anne Nesmith
Cast: Donna Migliaccio (Daniella Espere); Desi Oakley (Tina); Bobby Smith (Uncle Derek); Diana Huey (Piper); Jamie Eacker (Neela and Dance Captain); Sam Edgerly (Jeff); Kellee Knighten Hough, Nora Palka, Bayla Whitten (the Esperes).
Run time: two hour, one intermission.

Signature, 4200 Campbell Ave., Arlington, Va.; 703-820-9771; www.signature-theatre.org; October 13 to November 15, 2015. Tickets start at $40.

Review by Susan Davidson based on October 25, 2015 matinee.

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