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A CurtainUp Review
Luck


Dear responsible Max, who in an effort to provide the stability that Grandpa Dan and Lefty couldn't — wouldn't — made a career out of their chance ways, built our home in Las Vegas and never once went out for fish.—  Megan.
Luck

(Photo: Kristopher Medina)
Megan Riordan's one-woman show Luck, an import from the Edinburgh Fringe, is part of 59E59 Theaters' 1st Irish festival. Riordan is the daughter of a professional Las Vegas gamble and her intimate relationship with Lady Luck has led to a performance piece that is both a highly personal revelation and an abstract meditation on destiny, probability, fate and free will.

Luck turns the theater into a gambling casino and a lucky few among the audience into participants. Their throw of the die, spin of the roulette wheel and flip of a card determines what Riordan will do next. The audience soon realizes, however, that whatever she does, it will most certainly be entertaining.

In fact, under Dodd Loomis's deft direction, Riordan glides effortlessly from dance to song to exposition to storytelling. One has the feeling Loomis and Riordan have really left nothing to chance. But, as any casino operator will tell you, illusion is everything.

Riordan's explanation of how casinos make the odds work for them, how professional gamblers work against those odds and how these same professionals try to disguise their status after they are banned from said casinos is fascinating. But the most engaging part of the show is when Riordan spins a chair three times, then sits down and tells stories about her eccentric family. Her storytelling includes how her father Max tried to scam her out of a gift at her wedding, the time her deflowering was derailed when Bobby the lay's dad asked her what her father did for a living, and the adventures of her "uncle," who tried unsuccessfully to outwit the casino system by gambling from a wheelchair.

Although much in Riordan's tale is quite romantic, clearly, all her experiences weren't blissful. She makes her way several times to the back of the house, where, speaking into a camera, she delivers a heartfelt and agonized reflection on the vicissitudes of the gambling life. She also leaves no doubt that in the end most people lose at the gambling tables (one suspects professional gamblers lift their noses at slots). Even her father, disguised as Santa Claus, suffers a heart attack while testing his luck. But it's doubtful she will convince anyone to cancel his Las Vegas or Atlantic City vacation.

It's not hard to see that Riordan has a love/hate relationship with gambling. If not addicted like her father, she is certainly tempted by the danger and the daring, the ups and downs, the uncertainty and endless possibilities the gambler experiences. Like all people who live on the edge, Riordan cautions against a life that may end in disaster and at the same time, makes that life seem irresistible.

Luck
Devised by Megan Riordan, Dodd Loomis and Shawn Sturnick
Performed by Megan Riordan
Directed by Dodd Loomis
Contributing Writer: Shawn Sturnick
Presented by Juicy MoJo Productions
59E59 Theaters, 59 East 59th Street between Park and Madison
From 9/23/09; opening 9/27/99; closing 10/11/09
Tuesday at 7:30pm, Wednesday — Friday at 8:30pm, Saturday at 6:30pm and 9:00pm and Sunday at 3:30pm and 7:30pm
Tickets: $25 (212) 279-4200 or ticketcentral.com
Reviewed by Paulanne Simmons Sept. 25, 2009
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