CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE

SEARCH

REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Connecticut
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us
A CurtainUp London London Review
Women Power and Politics


I would be proud if this word defined me: NO! — Mrs Margaret Thatcher in Moira Buffini's Handbagged
Women Power and Politics
Claire Cox and Kika Markham as the Queens and Stella Gonet and Heather Craney as the Maggie Thatchers (Photo: Bridget Jones)
Following on from the success of the day of short plays about Afghanistan, the Tricycle has commissioned another day of plays based on the role of women in politics. Divided into two parts, Then and Now, the plays look at the historical relationship between women and power and the situation as it is today.

In between, and linking, the plays are Verbatim Reports from women members of parliament collected by Gillian Slovo with many witty and candid observations on their situation in the male dominated Houses of Parliament. Apparently there are more members of parliament called John than there are women members! These soupcons of feminine observation come from Edwina Currie, Anne Widdicome, Jacqui Smith and Shirley Williams representing all parties.

The plays open with Marie Jones' The Milliner and the Weaver, set in Northern Ireland in 1918. Stella Gonet the posh Suffragette milliner, Elspeth, visits Henrietta, Niamh Cusack's cottage weaver. The women discuss the cause of Irish independence, the women's movement for suffrage seen here in the context of catholic suffrage and the imminent role that Northern Irishmen will play in the First World War.

Moira Buffini's Handbagged is a comic contrast about the relationship which prevailed between the Queen "Q" (Kika Markham) and the Prime Minister Mrs Margaret Thatcher "T" (Stella Gonet) through these characters looking back at their younger selves (Claire Cox as Liz and Heather Craney as Mags) and commenting for us on what we hear happening. Of course what marks the physical appearance of both these leaders— one elected, one a constitutional monarch— is the styled, permed hair and the ever present over the arm handbag. Buffini's play is pure satire and hugely enjoyable. Tom Mannion supports as Thatcher's fellow free market theorist Ronald Reagan. What is interesting is that the monarch has to speak up for the poor and dispossessed in her Commonwealth in the face of the march of Maggie's rampant Thatcherism.

Rebecca Lenkiewicz goes further back into history to give us the most prominent Englishwoman, Queen Elizabeth I (a super performance from a white faced, red wigged Niamh Cusack) and her relationship with her favourite the Lord of Essex (Oliver Chris) and an imagined encounter with the Scottish Presbyterian railer against women, John Knox (Tom Mannion). Of course, his treatise The First Blast of the Trumpet Against the Monstrous Regiment of Women was focussed against the Catholic monarchs Mary Queen of Scots and Mary Tudor. The historical events of Elizabeth's life I know well from the beheading of her mother Anne Boleyn through the signing of the death warrant of her cousin Mary Queen of Scots and the defeat of the Spanish Armada but each time I hear about Mary Queen of Scots' little dog running under the newly executed dead queen's skirts, I am moved.

Lucy Kirkwood rounds off the historical plays with Bloody Wimmin a look at the protest group of women who camped by the American Base at Greenham Common in Berkshire from 1981 for nineteen years. Kirkwood then comes forward to 2009's camp on Blackheath where the grown up man, a baby born at Greenham Common, whom we are told lived in a potato sack for his first year of life, is joining the Climate Change protest.

The Now plays start with Joy Wilkinson's look at the dispossessed Margaret Beckett (Niamh Cusack), ousted in a leadership election not on grounds of ability or experience but because she wasn't pretty. Zinnie Harris' The Panel has a group of five men trying to choose a new employee from a list of women candidates with all the unminuted chauvinist and sexist prejudices we suspect are voiced behind closed doors. Bola Agbaje's Playing the Game looks at the perceptions of the student electorate when a girl stands for election as President of the Students' Union, how she is manipulated and advised and the repercussions of their advice. Akousa (Amy Loughton) learns that standing places her in the public arena, too sexy and she's labelled a slag, too dull and they say she's a lesbian. Sam Holcroft's Pink has a confrontation in a waiting room for a television studio between a female pornographer Kim (Heather Craney) and the Prime Minister Bridget (Stella Gonet) whose husband is about to be exposed as a client. The interesting proposal from the PM is that the pornographer should change the pitch of her market from attracting male clients to a pornographer who empowers women. Finally in Sue Townsend's dark comedy You, Me and Wii a parliamentary candidate Selina Snow (Claire Cox) stumbles into a house of three generations of women where no one goes out.

The common set has floorboards painted with Britannia flanked by the Union flag, the paint worn away in places. There is the suggestion above of a glass ceiling broken through in places but still present. The performances and direction are first class as a relatively small group of actors take on a range of amazing and challengingly diverse parts. Hats off too to costume and makeup for those authentic looking characters from the finery of Elizabeth I to the woolly hats of Greenham Common!

The Women, Power and Politics plays are more disparate by necessity than the Afghanistan cycle (returning to the Tricycle for all of August and then off to the USA) but I did enjoy the linking Verbatim Reports, collected and edited by Gillian Slovo, with their trivia of quirky asides. Some of the plays have a rather tenuous connection to politics; for instance The Panel, Pink and You Me and Wii. Not everyone will like all plays and I personally found the Then plays more enjoyable overall than the Now but that reflects my interest in history rather than present day politics!

Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.
Women Power and Politics: Then
The Milliner and the Weaver
Written by Marie Jones
Handbagged
Written by Moira Buffini
The Lioness
Written by Rebecca Lenkiewicz
Bloody Wimmin
Written by Lucy Kirkwood
Women Power and Politics: Now
Acting Leader
Written by Joy Wilkinson
The Panel
Written by Zinnie Harris
Playing the Game
Written by Bola Agbaje
Pink
Written by Sam Holcroft
You, Me and Wii
Written by Sue Townsend
Verbatim Accounts
Edited by Gillian Slovo
Directed by Indhu Rubasingham except for Playing the Game which is directed by Amy Hodge

Starring: Stella Gonet, Niamh Cusack, Claire Cox, Kika Markham
With: Tom Mannion, Simon Chandler, Oliver Chris, John Hollingworth, Felix Scott, Amy Loughton, Heather Craney, Lara Rossi
Design: Rosa Maggiora
Lighting: Matthew Eagland
Sound: Tom Lishman
Running time: Two parts of around Two hours 40 minutes each with an interval
Box Office: 020 7388 8822
Booking until 17th July 2010
Reviewed by Lizzie Loveridge based on 11th June 2010 performance at the Tricycle Theatre, 269 Kilburn High Road, London NW6 7JR (Tube:Kilburn)

REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Women Power and Politics
  • I disagree with the review of Women Power and Politics
  • The review made me eager to see Women Power and Politics
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email . . . also the names and emails of any friends to whom you'd like us to forward a copy of this review.

London Theatre Walks


Peter Ackroyd's  History of London: The Biography



London Sketchbook



tales from shakespeare
Retold by Tina Packer of Shakespeare & Co.
Click image to buy.
Our Review


©Copyright 2010, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com Women Power and Politics, a Curtain Up London review CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE

SEARCH

REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Connecticut
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us
A CurtainUp London London Review
Women Power and Politics


I would be proud if this word defined me: NO! — Mrs Margaret Thatcher in Moira Buffini's Handbagged
Women Power and Politics
Claire Cox and Kika Markham as the Queens and Stella Gonet and Heather Craney as the Maggie Thatchers (Photo: Bridget Jones)
Following on from the success of the day of short plays about Afghanistan, the Tricycle has commissioned another day of plays based on the role of women in politics. Divided into two parts, Then and Now, the plays look at the historical relationship between women and power and the situation as it is today. In between, and linking, the plays are Verbatim Reports from women members of parliament collected by Gillian Slovo with many witty and candid observations on their situation in the male dominated Houses of Parliament. Apparently there are more members of parliament called John than there are women members! These soupcons of feminine observation come from Edwina Currie, Anne Widdicome, Jacqui Smith and Shirley Williams representing all parties.

The plays open with Marie Jones' play The Milliner and the Weaver. Set in Northern Ireland in 1918 Stella Gonet as the posh Suffragette milliner, Elspeth visits Henrietta, Niamh Cusack's cottage weaver and the women discuss the cause of Irish independence, the women's movement for suffrage seen here in the context of catholic suffrage and the imminent role that Northern Irishmen will play in the First World War. Moira Buffini's Handbagged is a comic contrast about the relationship which prevailed between the Queen "Q" (Kika Markham) and the Prime Minister Mrs Margaret Thatcher "T" (Stella Gonet) through these characters looking back at their younger selves (Claire Cox as Liz and Heather Craney as Mags) and commenting for us on what we hear happening. Of course what marks the physical appearance of both these leaders, one elected, one a constitutional monarch, is the styled, permed hair and the ever present over the arm handbag. Buffini's play is pure satire and hugely enjoyable. Tom Mannion supports as Thatcher's fellow free market theorist Ronald Reagan. What is interesting is that the monarch has to speak up for the poor and dispossessed in her Commonwealth in the face of the march of Maggie's rampant Thatcherism.

Rebecca Lenkiewicz goes further back into history to give us the most prominent Englishwoman, Queen Elizabeth I (a super performance from a white faced, red wigged Niamh Cusack) and her relationship with her favourite the Lord of Essex (Oliver Chris) and an imagined encounter with the Scottish Presbyterian railer against women, John Knox (Tom Mannion). Of course his treatise The First Blast of the Trumpet Against the Monstrous Regiment of Women was focussed against the Catholic monarchs Mary Queen of Scots and Mary Tudor. The historical events of Elizabeth's life I know well from the beheading of her mother Anne Boleyn through the signing of the death warrant of her cousin Mary Queen of Scots and the defeat of the Spanish Armada but each time I hear about Mary Queen of Scots' little dog running under the newly executed dead queen's skirts, I am moved.

Lucy Kirkwood rounds off the historical plays with Bloody Wimmin a look at the protest group of women who camped by the American Base at Greenham Common in Berkshire from 1981 for nineteen years. Kirkwood then comes forward to 2009's camp on Blackheath where the grown up man, a baby born at Greenham Common, whom we are told lived in a potato sack for his first year of life, is joining the Climate Change protest.

The Now plays start with Joy Wilkinson's look at the dispossessed Margaret Beckett (Niamh Cusack), ousted in a leadership election not on grounds of ability or experience but because she wasn't pretty. Zinnie Harris' The Panel has a group of five men trying to choose a new employee from a list of women candidates with all the unminuted chauvinist and sexist prejudices we suspect are voiced behind closed doors. Bola Agbaje's Playing the Game looks at the perceptions of the student electorate when a girl stands for election as President of the Students' Union, how she is manipulated and advised and the repercussions of their advice. Akousa (Amy Loughton) learns that standing places her in the public arena, too sexy and she's labelled a slag, too dull and they say she's a lesbian. Sam Holcroft's Pink has a confrontation in a waiting room for a television studio between a female pornographer Kim (Heather Craney) and the Prime Minister Bridget (Stella Gonet) whose husband is about to be exposed as a client. The interesting proposal from the PM is that the pornographer should change the pitch of her market from attracting male clients to a pornographer than empowers women. Finally in Sue Townsend's dark comedy You, Me and Wii a parliamentary candidate Selina Snow (Claire Cox) stumbles into a house of three generations of women where no one goes out.

The common set has floorboards painted with Britannia flanked by the Union flag, the paint worn away in places. There is the suggestion above of a glass ceiling broken through in places but still present. The performances and direction are first class as a relatively small group of actors take on a range of amazing and challengingly diverse parts. Hats off too to costume and makeup for those authentic looking characters from the finery of Elizabeth I to the woolly hats of Greenham Common!

The Women, Power and Politics plays are more disparate by necessity that the Afghanistan cycle (returning to the Tricycle for all of August and then off to the USA) but I did enjoy the linking Verbatim Reports collected and edited Gillian Slovo with their trivia of quirky asides. Some of the plays have a rather tenuous connection to politics for instance The Panel, Pink and You Me and Wii. Not everyone will like all plays and I personally found the Then plays more enjoyable overall than the Now but that reflects my interest in history rather than present day politics!

Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.
Women Power and Politics: Then
The Milliner and the Weaver
Written by Marie Jones
Handbagged
Written by Moira Buffini
The Lioness
Written by Rebecca Lenkiewicz
Bloody Wimmin
Written by Lucy Kirkwood
Women Power and Politics: Now
Acting Leader
Written by Joy Wilkinson
The Panel
Written by Zinnie Harris
Playing the Game
Written by Bola Agbaje
Pink
Written by Sam Holcroft
You, Me and Wii
Written by Sue Townsend
Verbatim Accounts
Edited by Gillian Slovo
Directed by Indhu Rubasingham except for Playing the Game which is directed by Amy Hodge

Starring: Stella Gonet, Niamh Cusack, Claire Cox, Kika Markham
With: Tom Mannion, Simon Chandler, Oliver Chris, John Hollingworth, Felix Scott, Amy Loughton, Heather Craney, Lara Rossi
Design: Rosa Maggiora
Lighting: Matthew Eagland
Sound: Tom Lishman
Running time: Two parts of around Two hours 40 minutes each with an interval
Box Office: 020 7388 8822
Booking until 17th July 2010
Reviewed by Lizzie Loveridge based on 11th June 2010 performance at the Tricycle Theatre, 269 Kilburn High Road, London NW6 7JR (Tube:Kilburn)

REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Women Power and Politics
  • I disagree with the review of Women Power and Politics
  • The review made me eager to see Women Power and Politics
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email . . . also the names and emails of any friends to whom you'd like us to forward a copy of this review.

London Theatre Walks


Peter Ackroyd's  History of London: The Biography
Peter Ackroyd's History of London: The Biography



London Sketchbook
London Sketchbook



tales from shakespeare
Retold by Tina Packer of Shakespeare & Co.
Click image to buy.
Our Review


©Copyright 2010, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com